I have a confession to make.  I didn’t blog about last week’s ‘Slutty Pumpkin’ episode of How I Met Your Mother because I just couldn’t bring myself to watch it.  The promotional pix showing Neil Patrick Harris as Uncle Sam/Apollo Creed gave me all the joy I felt I would ever be able to take from it; the idea of another half hour of Ted pining for, provisionally winning, and failing to connect with yet another mostly-soulless pretty girl was more than I could bear.  And as the show continues to eliminate candidates for the ‘Mother’ slot one by one by one, I suspect I’ll keep on being just as disinterested.  Note to writers:  Ted needs new schtick, stat!

SPOILERS SPOILERS EVERYWHERE FROM HERE – DON’T READ IF YOU HAVEN’T WATCHED THE 11/7/11 EPISODE!!

But last night, I did watch, and I’m so glad I did.  It had all the banter and camaraderie of this ensemble story at its best; all the characters acted like themselves yet still managed to move forward (well, except for Ted, who is still stuck in a holding pattern by the premise of the show – come on, writers; you’re good enough; you’re smart enough; and gosh darn it we like you enough for you to find a way out of this swamp for poor Ted); plus and best of all, it was actually funny. 

The plot was simple, the standard basic of the show:  the gang sitting around telling the story of a funny but not terribly earth-shattering exploit from their past to a member or outsider who wasn’t there to see it, in this case, telling Robin’s new boyfriend, Kevin, about what they did during the August hurricane scare.  Ted wanted everybody to evacuate; Barney wanted everybody to hole up in his apartment and ride out the storm with beer and wide-screen TV; by the time they decided to leave, it was too late – oh, and Ted had picked up yet another soulless cutie from somewhere, this one with a country gal penchant for Nascar & C&W that went absolutely nowhere.  But in the process of this story and its telling, Lily and Marshall conceived their baby (in Barney’s bathtub – how perfect is that?), Robin and Barney realized they have a connection that won’t be ignored, even though they’re both with really lovely other people (the big twist at the end, a taxicab kiss – how New York cliche and lovely is that?), and Ted . . . . picked up another girl for five minutes, pretended to be someone he’s not, lost her, and went home by himself to wait for the Mystery Mother to wander through a couple of seasons down the road from now.  Plus – and here’s a detail I just adored (sorry, Amy) – the Ducky Tie is no more!  I’m almost as tired of the whole Slap Bet silliness as I am Ted’s love life, but anything that got Barney out of that stupid tie and that on-going and unfunny visual gag out of every scene is okay by me. 

The only thing that makes me sad is, I’m really going to miss Kal Penn as Kevin.  (And I know, we haven’t lost him yet, but isn’t it inevitable?  Even if Robin and Barney don’t end up together, do we really think this relationship will last?  I’ve been wrong about something like this before – Paul Rudd’s Mike ended up marrying Phoebe on ‘Friends,’ after all – but I just don’t see it.)  Is it just me, or is he the first outsider love interest this show has ever had who really works within the group?  He seems to genuinely like everybody AND to have something to add to the group dynamic, not just be an accessory for Robin or an antagonist plot device for everybody else. 

So here’s my solution.  Let’s let Ted and Kevin have a torrid, bi-curious affair, just to tide Ted over until the producers are ready to pull the Mother out of the final season hat.  I know, it seems ridiculous, but think about it.  Ted is sooo a girl, and Kevin really digs Robin, who prides herself on her inner guyness.  They could fall into it, so to speak, in a drunken stupor after consuming the world’s biggest bottle of Jack Daniels after discovering that Robin loves Barney best – a bro-mance born of mutual hurt taken to the next level!  They could try to keep it a secret – but Marshall could find out!  And try to keep the secret from Lily but fail!  Hijinx galore!

Okay, okay, I’m kidding.  I know it wouldn’t work.  I’m sure Robin and Kevin will break up over something ludicrous sometime soon, and Ted will continue to audition future mates with the same whiny faux-Wordsworthian baloney, and I won’t really care because I’ll be too busy enjoying Lily and Marshall’s impending parenthood and Robin and Barney’s evolving relationship.  But still, I’m going to miss Kevin.

I ought to break up with American Horror Story.  I fell in love with the scary new FX drama (Wednesdays, 10 pm) before first sight; the very first promos, all that red and black and sexy and shiny and scary, dragged me right in.  I made plans for a long and happy relationship – I could see myself hosting parties for it, inviting all my friends over every week so we could all watch together.  I was a little put off by the knowledge that its makers were also at least partially responsible for Glee ( a show that promoted its premiere with a ‘comic’ shot of a pretty girl getting a big cup full of something sticky flung in her face) and and Nip/Tuck (a domestic drama where a different woman was asked every week to ‘tell me what you don’t like about yourself’).  But that was the past, I promised myself.  American Horror Story would be different.  It was going to be my heart’s beloved of the new TV season, and in some ways, I have to admit, it is.  But after three episodes, I have to face the truth.  American Horror Story does not love me back.  It wants to hurt me and make me feel bad about myself.

SPOILER ALERT FOR THE FIRST THREE EPISODES OF AMERICAN HORROR STORY!!!!

AHS is one of those sleazy/sexy confirmed bachelor types who keeps saying how much he loves women when really, they scare him shitless.  The big hook for the show is how frankly it depicts sexuality.  The two big character images being pushed (to great marketing effect, it must be said) are a man dressed in a black rubber scalp-to-toenails fetish suit and a woman dressed in a ‘naughty’ maid’s outfit straight out of a high-end burlesque house, complete with feather duster, garter belt, and thong.  Sexuality, particularly of the ‘naughty’ variety, permeates every aspect of the plot, no matter how horrific, and somebody gets busy at least once in every episode.  But with one sad, desperate, barely-depicted exception, every instance of sexual intercourse has been some sort of rape.  That guy in the gimp suit (or maybe he’s just a kinky ghostie, wwwwwoooooo - this is a horror show, after all) forces rough sex on Vivian (Connie Britton), the pregnant wife of the show’s main couple, allowing her to believe he’s really her husband, Ben (Dylan McDermott).  [That Vivian and Ben never discuss this encounter later is one of the yawning big plot holes in this story - me and my husband might someday have problems and our relationship might suffer some distance, but I can guarantee if he ever jumps my bones in a gimp suit, I'm gonna mention it at breakfast.]  Last week, that sexy maid, Moira (another ghostie, as it turns out, with a crone-like alter ego), was flipped up pert ass over protesting tea kettle and nearly raped in a flashback (and she is also forever taking unsavory liberties with her boss, Ben, and getting him in trouble with his missus).  Other queasy images that I think were meant to be titillating have included a young nursing student trussed up on her knees by the psychopath who’s about to stab her to death-as the audience, we’re meant to feel bad for her, but we’re meant to enjoy the view, too.  Only once so far have two people come together by mutual choice – Vivian and Ben’s desperate lunge for one another in the kitchen, a scene that seemed to last about half as long as any of these others and that felt about as original and about as satisfying as one of those half-sandwiches Chili’s is always trying to sell us cheap for lunch.

But again, this is a horror story – if you want happy, mutually respectful couples celebrating their relationships through a joyous mingling of bodies and souls, watch . . . gosh, what would you watch?  Whatever it is, it wouldn’t be AHS, nor should it be.  A horror tale about sex is pretty well justified in depicting horrific sex, and those of us who love the genre ought to have the guts to love them for it, if you’ll pardon the punny metaphor.  The blood and the naughty in and of themselves don’t bother me; in essence, that’s what I’m watching for.  What bothers me is the way virtually every female character is depicted in the midst of the horror.  These poor crazy bitches would be nearly impossible to watch even if their house weren’t haunted.  Vivian is the wronged wife taken to its outside edge – she’s not just angry, she’s mean – and oh yeah, she’s also been withholding sex from her husband for six months and only really gets off when attacked by faceless ghosts in fetish suits.  Her delicate pregnancy, rather than softening her, has made her meaner, not in a mother-lioness defending her cub kind of way but more an ‘everybody needs to be kissing my ass because I’m pregnant, damn it–And oh yeah, my husband cheated on me!’ kind of way.  Moira the maid flips back and forth between voracious predator and damaged victim as quickly and completely as she flips between hottie and hag with as little middle ground in between.  Jessica Lange is stunning as Constance, the wicked queen next door, but she’s every evil thing Woman has ever been rumored to be in one fading magnolia-scented package; Blanche DuBois and Snow White’s stepmom and Norma Desmond all in one, with more than a teaspoonful of Bette Davis in Whatever Happened to Baby Jane?  It’s an amazing performance (even if she did kinda do it already, scaring poor Gwyneth Paltrow absolutely to death in Hush ), but I find myself more disturbed than entertained by it because it echoes endlessly through every other woman in the story.  Even the presumably innocent virgins, Violet, teen-age daughter of Vivian and Ben, and Addy, Constance’s daughter made perpetually child-like by Down’s Syndrome, are destroyers feeding off the pain of others.  Violet loves the house because of its murderous history; she scorns her mother until they do near-murder together.  Addy is the knowing, gleeful witness to the very first atrocity we see in Episode 1, and she obviously delights in being around to see everyone’s worst moments in this ‘Murder House.’  Even the peripheral females fall into this pattern of bitch goddess/sacrificial lamb, from the psychos who try to re-enact a famous murder with Vivian and Violet as victims to the poor accountant who slashes her own wrists because being a dutiful wife makes her so damned boring.  All of these women have horrible, horrible things happen to them; they are bruised, battered, betrayed, and cut to ribbons.  But the thing is . . . the story shows us over and over and over again how dearly they deserve it.  Last week, we were introduced to the first lady of the house, once a money-desperate social climber who drove her husband to madness, now a ghost with a weirdly vagina-shaped wound in the back of her perfectly coiffed head, and saw the bludgeoning demise of Ben’s pregnant mistress, a clinging harpy straight out of Fatal Attraction.  We hates them, the story seems to be saying.  We hates them all, nasty, breeding, grasping bitches . . . and they must be punished. 

This idea of the female as monstrous is hardly new, and it has driven some pretty awesome stories, from Dracula to D.H. Lawrence to the movie version of The Witches of Eastwick – it’s a witch hunt that yields good results.  But I’m really, really queasy about the way AHS sells it as the ultimate in sexy, and I hate the way there’s nothing in this contemporary story to balance it – there are no kind women, no selfless women, no women who wouldn’t castrate you as soon as look at you. 

I admit I might be over-reacting.  As Jeff Jensen has pointed out in his commentary on the show at EW.com (a most excellent weekly column I highly recommend if you can get past the Tokyo-arcade-designed-by-Billy-Mays design of the website), the  men on this show get beaten up pretty badly, too, and they’re some real stinkers, character-wise.  But I can’t shake the feeling that the men are reacting to the circumstances of their environment when they betray, rape, and kill – they get lured; they get driven insane.  And the ones doing the luring and the driving are women, acting from a streak of evil that grows from deep inside them like a second womb. 

So for now, I’ll watch . . . . but I’m wary.  I feel abused by American Horror Story; I don’t want to like it any more.

This is obviously a riff on the lovely poem “Warning” by Jenny Joseph.  Poetry isn’t my best thing by any  means, but sometimes I want to write some anyway.  I did wear purple today in celebration of Spirit Day, an observance designed to show support for the lesbian, gay, bisexual, and transgender (LGBT) youth who are constantly bombarded with rhetoric designed to make them feel wrong in their own skins and souls and bad old-fashioned bullying from people who buy into that rhetoric.  I’ve been bullied in my time, and I’ve felt wrong on a lot of levels.  And I’m a real big believer in love.  So a day where we consciously flood our own little sections of the media-verse with an equal and utterly opposite message by whatever means we can seems like a good idea to me.  

The poem is about marriage, not bullying or surviving bullying, so maybe it really doesn’t fit the message.  But marriage is one of the things still being denied way too many adults, and maybe if we keep harping on how wrong that is, by the time the kids we’re supporting are old enough to think about it, that will be one of the ways it’s gotten better. 

* * * * * * *

Now that I’m married, I shall wear purple

And not care who thinks it shouldn’t go.

I know what marriage means now

What it brings to the life of the singleton

How it isn’t about smugness

Or the fabric of society

Or mortgages

Or sanctity

Or even children.

How it is about souls

That thing we all have

Regardless of income

Or culture

Or “orientation”

Or even religion;

That thing we can share

With a single other person

Like a home

And a bed

And a life

That lasts something like forever.

My forever has been blessed with this miracle.

I want to share it with the world.

Not hoard it

Or deny it

Or do anything less than celebrate

Anytwo who love enough to want it.

Like a soul, it’s a gift given freely

By a Power no human can deny.

 

Spoilers as always for the episode that aired last night, Monday, October 3, 2011.  Another less-than-stellar episode, I thought – once again, it just didn’t go anywhere.  And btw, what exactly does the title even mean?  If it references a line of dialogue or a concept introduced in the show, I either missed it or have forgotten it.  In fact, when I remembered I wanted to blog about it, it took me a full minute and a half to remember anything about the episode at all. 

So okay, two plotlines as usual.  Plotline #1:  Robin was in court-ordered therapy because she’s so hung up on Barney.  So somehow in the context of middle-aged Ted telling his kids about the life and times of not-quite-yet-middle-aged Ted, he is able to narrate the smallest details of Robin’s narrative to her therapist?  Do what?  I’m all for more Robin and Barney, and yes, Neil Patrick Harris sings great, but this whole thing just felt clumsy – and I really, REALLY don’t need another sitcom/romcom princess looking utterly pathetic in the most humiliatingly goofy way possible, which is exactly what they did to Robin last night.  (And anybody who can’t see the difference between a Robin Sparkles video humiliation and an under-a-table alcohol & sugar bawl & binge fest that happens not once but twice in the same half-hour episode is just being obtuse.)  And honestly, did anybody enjoy watching Barney being ‘the perfect boyfriend material’?  Is anybody buying it?  For me, it just makes his attempt to make a real connection with Nora seem that much more doomed and self-delusional – which ultimately is probably the point.  Barney can’t end up with Nora; now we have to create the weird-ass reasons why not.  Again, I love Robin and Barney and I love Robin & Barney the couple, but only  if they let Robin be Robin and Barney be Barney, not turn them into people who ought to be played by Katherine Heigl and Harry Connick, Jr., in a second-tier romcom movie released in the middle of March.

Plotline #2 reheated the bone-dry chestnut of Ted horning in on Lily and Marshall’s relationship because, alas, poor sensitive darling, he’s still without a Lilypad of his own.  (Or considering that painful-to-watch birthing class scene, a Marshmellow of his own – I’m okay with it; how about y’all?)  All I can say is, really?  Again? 

So far this whole season seems to be enslaved by plot points the writers aren’t ready to whip out yet – it’s all sizzle with no steak, just reheated meatloaf.  Item:  Robin and Barney either will or will not end up together.  Item:  Marshall and Lily will have a baby.  Item:  Eventually, Ted will find a mother for his children – maybe one we’ve already seen before!  Fine, lovely – now either get on with it or figure out something else interesting to tide us over until you’re ready.  Remember that season of Lost right after the writers got a firm exit date from the network?  Remember how every plot point suddenly toooooooooook fooooooooreeeeeeeeeeveeeeeeer to ripen and resolve?  As soon as they had the skeleton in place, they realized they might not have enough flesh to cover the bones.  (Of course, in that instance, the writers strike took them out of slow motion and straight into hyperspeed, but that’s another issue.)  This season of HIMYM feels the same – they know where they’re going; they know when they want to get there; they just aren’t sure what to do in the meantime. 

I’m ready for an episode that will feel like a story in and of itself in two years when I’m watching it out of order in syndication.  And oh yeah, can we please lose the ducky tie?

Amazon poobah Jeff Bezos got up in front of today’s freshly-rustled herd of journalists and unleashed his latest newness this morning – all new and improved versions of the Kindle.  He ended his pitch with the line, “Let the fervor begin.”

Sorry, Jeff.  I’m kinda fervored out. 

I have friend whom I know will be dreadfully excited by this – the new Kindle Fire is supposed to be a serious challenger to the supremacy of the iPad (personally, I liked the Russell Brand commercial for the HP thing of which we now must not speak aloud, but that’s just me), and blah blah blah.  Plus the ‘old’ Kindle will now be an affordable $80 – great news for people like me who’ve been thinking they’d like something to read e-books on.  Lousy news for the bazillion or so people who paid a couple of hundred for it in the past month or so.

But whatever.  My point is, there’s a new techno god at the plexiglass podium every week touting another ‘game changer,’ and I’m just not so fussed any more.  Every new object that’s supposed to change my life gets superseded within three months by another, better object that’s supposed to change my life even more, but my life doesn’t change; my toys just get more expensive.  And oh yeah, I have a harder time getting anyone’s attention for what’s soon to be forever known as ‘live facetime’ because they’re all glued to their iThings.  Or Kindles or whatever.

The thing that stuck out for me in Mr. Bezos’ manifesto was his declaration that the whole notion of backing up data to an individual device is deader than disco, that from now on, it’s all about the cloud.  Yeah, well, fuck the cloud.  I’ve been hearing about the cloud since I first started messing with computers in a more than casual way (lord, it sounds like I’m either mainlining or marrying them), waaay back in the misty moisty mornings of the 90s.  Back then, when I was a mere sprout learning how to set up my first LAN for my job at the time, every IT expert I spoke to began his or her demonstration with a drawing on a white board of a big puffy cloud with lightning bolts coming out of it.  “The Internet,” he or she would intone as they pointed to it.  Then they’d draw whatever configuration of little boxes and arrows meant to represent the hardware they thought my boss should buy coming out of the cloud like tentacles and tumors.  But the cloud was a constant – everybody started with the cloud.

Here’s the thing about the cloud.  Even though it’s everywhere, unlike the bookshelf or media cabinet in your house, you can’t get to it for free.  In addition to the media you’ve purchased and the device you’ve purchased to absorb it on, you have to access the cloud.  Which means either doing all your reading, watching, and listening at Starbucks, the library, or some other ‘hot spot’ (amazing how the meaning of that phrase has changed, too) or have some kind of data plan, either a network of your own at home or a mobile version you carry around with you attached to your device.  And oh yeah, you  have to have electricity.  Not a lot, but some – if the power goes out, you have exactly as much media access as you have battery.  As I told a tech-loving friend of mine earlier this week, if the apocalypse comes, narrative will be back to spoken word saga inside of a month because everybody’s battery will have gone dead.  Or forget the apocalypse; as my friend pointed out, most of us won’t survive that to read anyway.  But what about hurricanes?  Imagine a storm-related power outage where you can’t even light a candle and read a book.  It’s astonishing to me that with the price of power going steadily up and the resources to create it getting more and more scarce or just more and more expensive, we’re allowing even the books we read to be dependent on the power company.  But whatever . . . at least with an old school Kindle or Nook or other media player that backs up, you get to use it as long as you have juice.  But with everything in the cloud, we don’t need an apocalypse or even a hurricane to cut us off; a plain old server shutdown will do it.  Or a price hike for access.  Or a software upgrade your device can’t handle, making it necessary to purchase another, more expensive device to get to all the stuff you’ve already bought and paid for . . . .

If you think that can’t happen; if you think the people like Mr. Bezos who are singing the praises of the cloud haven’t thought of that, you haven’t been paying attention.  http://youtu.be/kuHeBWa4lRM 

 

As of right now, I only watch four TV shows a week (other than X-Play on G4), so if I blog about them, it shouldn’t take up too terribly much space. 

I’ve been watching How I Met Your Mother since the second or third episode (the first Halloween one with Marshall as the ‘gay’ pirate and Lily as his parrot – and yeah, Ted waiting for the Slutty Pumpkin on the rooftop), and I still seek it out and still find it mostly hilarious – I even watch it in syndication when there’s nothing else on.  But from the beginning, I’ve realized one sad fact – I really, really, really, really, really, really, REALLY couldn’t care less who Ted ends up marrying.  His love life , for me, is the soggy, synthetic cream center forced into an otherwise-tasty and original cupcake.  Unlike my husband, I don’t loathe the Ted character (alas, Max calls him ‘that douche’ every time he comes on screen), but the plotlines about his search for true love always fall flat and get on my nerves.  If he hadn’t broken up with Zoe when he did, I might have stopped watching altogether.

Which brings me to last night’s episode, ‘The Duckie Tie.’  Spoilers ahead; in fact, the whole rest of the post is spoilers, so if you haven’t watched and you want to, stop reading and go watch already.  The closest thing to a story was Ted narrating, in fits and starts, how he had run into his old girlfriend Victoria and what happened.  Yeah.  Could NOT have cared less.  I don’t hate Victoria as a character; she’s written just fine and the actress who plays her is pretty and seems bright and is reasonably funny.  But she’s a plot device whose moment has past; I have no investment in her at all.  And the sudden re-introduction of her (followed by an equally speedy and unanchored exit) gives me a chill about where this season is headed.  I’m horribly afraid that we’re going to be treated to a sitcom writer’s room version of that hideous-looking rom-com that’s being flogged endlessly in previews on TV right, What’s Your Number?  They seem to have realized that Ted has had waaay too many ‘soulmates’ for a guy who’s supposed to be looking for The One, so they’re scrambling desperately to recycle one of the rejects into a viable red herring to carry them through the rest of this season and put off the inevitably disappointing reveal of She Who Is Named In the Title.

Here’s the thing, though.  They can relax.  I don’t care.  Ted can be the biggest slut in NYC (though he’ll have to knock Robin off the pedestal to take the prize at this point, and heaven bless her for it); I won’t like him any more or less.  For me, Ted’s just the narrator; he’s Nick Carraway in The Great Gatsby.  As he earnestly tells his laughably self-involved tale, all we the audience really care about is what’s gonna happen with Gatsby and Daisy – or, in this case, in my case, Robin and Barney.  That’s not actually true; I care a lot about Marshall and Lily and their pending offspring, too.  I just don’t care so much about Ted.

The only important detail in the on-going story arc revealed last night is that there’s more business to be managed in the Ted/Robin/Barney triangle, to which I say, really?  Bleah.  I was happy to let realism die on the vine so that these three could all just go back to being pals, but whatever – the writers are good; I’m willing to hang around and see what they can do.

Last night’s pure schtick plot involved Barney’s Machiavellian scheme to cop a feel of Lily’s pregnancy boobs, aka the breasts of the mother of one of his best friend’s child.  That scamp.  I’m not really bothered; Barney being utterly outrageous is a big part of this show’s charm, and Neil Patrick Harris does a masterful job of playing this character’s wacko ups and downs.  But it did feel a little forced, coming so quickly after his soulful encounter with Nora last week.  Again, the seams were showing last night; you could almost hear the writers muttering in the background, ‘gotta get back to Evil Horny Barney, stat!’  The jokes were there; the performances were funny; but none of it added up to much.  I’m glad Barney didn’t get to honk Lily’s boob . . . . but I’m really hoping they just forget about that tie.

I don’t think I want to be a hipster any more.  Some people would probably say it’s way past time; I haven’t been party girl material for a while now.  But I have tried to stay open to new art, new ideas, new music, new ways of thinking and writing and absorbing the world.  I know how to text; I have a Facebook account and a Twitter feed and a blog; and I’m mad as hell at NetFlix.  I know the difference between a Kindle and a Nook and between an iPhone and a Droid.  I’ve never played Angry Birds, but I’d know one if it came hurtling at my pigs. 

The problem is, I’m exhausted.  I feel like I’ve reached maximum saturation.  The new happens so fast and becomes the old so quickly, I can’t keep up, and frankly, I’m tired of trying because you know what?  A whole bunch of the newest new strikes me as hopelessly stupid.  I just cannot force my brain into nothing but narratives about people twenty years younger than me – young adult literature is perfectly fine for young adults, but damn it, I’m a grown-up.  I don’t care how she loses her virginity; I don’t wanna know that his daddy is a drunk.  And if they are vampires or werewolves or fairies or zombies or toothpaste monsters from beyond the fourth dimension, I want them to act like it, not like just another angst-ridden 19-year-old trying to get laid without coming off as caring too much.   (I loved the Harry Potter books, but I never lost sight of the fact that I was an adult reading about kids, and I don’t yearn for the next literary journey back into adolescence. )  Even so-called adult stories like True Blood, the hipster pay cable TV version of Charlaine Harris’ not-nearly-so-hip book series is way more about how cool everybody looks than it is how anybody really feels, ‘cause they all feel something different every week.  Oh, and btw, nobody you’re supposed to like at all looks a day over twenty-nine or smart enough to work a Sudoku without a cheat button. 

And this middle-aged ennui isn’t just reserved for books and movies and TV shows; I feel the same way about most of the new music I hear.  I swear to God, if I see one more video featuring one more suburban princess with stringy hair wearing a filmy dress and a skinload of tattoos that I fervently pray for her future self’s sake are fake wailing on about how the clueless lump of meat she’s fixated on doesn’t love her deeply enough, I’m going to shoot the TV, Elvis-style.  Meanwhile the Meatlumps are all wearing silly hats, surfing, and singing soulfully about blow jobs.  (And btw, there just is not enough coastline in the world to accommodate all these surfers – I guess that’s where skateboards come in.)  There’s good music being made by brand new acts every day and a hundred different online services out there to help you find it.  But sometimes I wonder if it’s still worth the search. 

You want to know how bad it’s gotten?  I let my subscription to Entertainment Weekly lapse six months ago, and so far, I don’t miss it.

I’m hardly the first person my age to hit this wall.  I think everybody goes through some version of this at some point, probably more than once.  But I’m a writer.  I make art.  I’m part of the big smorgasboard of popular culture, producing my own kind of food for the monsters of consumption.  And while I have worked and hope to work again in that squarest of popular lit genres, romance, I have always tried really hard to write stories that don’t feel dated, that will engross and entertain readers now, readers my own age and younger.  So realizing that I think a lot of those readers are either total twits or pretending to be to be accepted has not been a happy thing for me.  And having a my latest manuscript rejected over and over again by editors who sound younger than my shoes on the grounds that its subject matter, angels, is ‘over,’ and its voice just doesn’t speak to them hasn’t helped. 

But this week, I’ve found hope in a most unlikely place – Starbucks.  Not inside the store itself, but in their latest marketing brainstorm.  Have you seen this teeshirt? 

This designer creation will set you back $85.00 on the Starbucks website or at selected stores – a plain white tee-shirt with a coffee stain on it, bleeding into a coffee-stain-colored version of the famous Starbucks logo.  My first thought when I saw it was, “Awwww, bless their hearts.”  Because honestly, who’s going to buy that? 

I can tell you who they think is going to buy it.  Hipsters.  It has just the kind of too-cool-to-care vibe that was all the rage back when Starbucks was the place to be, a studied goofiness that says, “Isn’t it awesome how I can laugh at myself?  And by the way, you should totally read my screenplay.” 

But alas, the hipsters have moved on.  It’s not that Starbucks isn’t still a perfectly acceptable place to hang out.  Perfectly cool twentysomethings still go there with their laptops – hell, somebody’s buying those cupcake lollipops.  The problem is, a whole lot of other people go there, too, people old enough and smart enough and tied to a mortgage enough to think paying $85.00 for a coffeestained teeshirt is stupid.  Starbucks has overestimated the value of their brand; they think owning this expression of it will make the cool kids feel cooler.  But it won’t.  Starbucks has entered the realm of ‘shit that’s always been there’ for people young and flush and silly enough to spend that kind of cash on a tee-shirt.  They’re buying shirts with Darth Vader doing the Macarena on them or something, stuff they haven’t seen before – or rather, stuff they think maybe their friends haven’t seen before.  They’d no more spend $85.00 to wear that mermaid than they would to wear the Wal-Mart logo.

I’m not saying Starbucks is in trouble, any more than Wal-Mart is.  I’m saying it’s not hip any more.  And that’s where the hope comes in.  Stuff that’s hip has a built-in expiration date.  Nothing, no matter how amazing it may be or how cleverly it can re-invent itself, can stay buzzworthy for long; the cooling off period gets shorter every day.  (Don’t believe me?  Ask Lady Gaga.)  But some stuff becomes so much a part of the landscape, it doesn’t matter how uncool it is; it’s still not going anywhere.  And some really, genuinely cool stuff has a value that will long outlive its cachet with the hipster crowd.  In a hundred years, I fervently pray that no one remembers Adam Sandler’s name, but I pray just as hard that they do still laugh at Eddie Izzard.  People might not buy the teeshirt, and they might get sick of the lollipop cupcakes, but I think they’ll still like the coffee because, you know, it’s good.  And they’ll still like hanging out at the coffee shop because, you know, it’s nice.  That kind of comfort is not the stuff of a marketing director’s dreams, but it’s nothing to be sneezed at. 

So I won’t cry that I don’t get the appeal of Breaking Bad or that I don’t get to see True Blood as it’s first broadcast because I can’t afford HBO.  And I won’t worry that the hipsters might never read my books.  I’ll just snuggle up with my twentysomething husband and watch NCIS marathons and be glad that the good stuff can last.

I can’t seem to finish a story to save my life, but my husband, Max Castle, just finished a gorgeous painting – his crazy Australian’s riff on the standard ‘magnolia print’ that’s so popular where we live:

My friend Siobhan Kinkade has just published a new story on Amazon – woohoooo, gorgeous Siobhan!  So it seems like a really good time to point everybody to all kinds of yummy fiction written by my nearest and dearest.

First of all, the latest:  Siobhan’s Hauntedhttp://www.amazon.com/Haunted-ebook/dp/B005AO9JTY  I haven’t finished reading it yet, but it’s good stuff; a nicely scary urban fantasy. 

 

My baby sister, Alexandra Christian, is in the process of submitting her latest, but her first book, Hellsong, is still very much available.  Trust me, kittens; I’d love it even if I didn’t know her at all.  Angels & demons & voodoo, oh my!  All with a wicked sense of humor, genuinely moving romance, and sex scenes to give any respectable lady a most delicious case of the vapors.  Here’s the Amazon link, and it’s also available directly from the publisher, Sugar & Spice Press:  http://www.amazon.com/Hellsong-ebook/dp/B0047GMH54/ref=sr_1_3?ie=UTF8&qid=1310076315&sr=8-3  And don’t you love the cover? 

Tally Johnson has been writing historical accounts of South Carolina ghosts for years now, but last year, he put out his first book of fiction, a short story collection called Creek Walking.  I give y’all the girl’s-eye view of our world here in the Beautiful South; Tally’s got deadeye vision from the boy’s side.  Scary and creepy and true – the only thing better than reading this one for yourself is hearing him read it out loud with his upcountry accent.  Here’s the Amazon link for the paperback; also available as a Kindle or a Nook download:  http://www.amazon.com/Creek-Walking-Tally-Johnson/dp/1456312189/ref=sr_1_4?ie=UTF8&qid=1310087680&sr=8-4

Great summer reads – check’em out!  And when you do, come back and tell me what you thought.

I realized this blog has been a whole lot about the process of writing fiction and not too much to prove I actually know how to do it.  So here’s a sneak peek at my novel currently being shopped to publishers by my agent, an urban fantasy/romance called, as of now, ‘Strange as Angels.’  I hope some of you will let me know what you think. 

Have a great holiday weekend!

* * * * * * *

Chapter One – The First Trial

 

              Tristram walked fast across the wet grass of the cemetery, his long black coat flapping slightly in the evening breeze.  He could smell brimstone.  The gateway was open.  He was late.

              Peter and his clerk were already in place.  His latest clerk’s small, dove-gray wings fluttered slightly in agitation as she placed the great golden book on the sepulcher.  The book was a prop for the benefit of the contested soul; those who would try the mortal man’s case knew every detail of their arguments by heart.  Peter fixed Tristram with a glare as he approached, but the angel champion who would face Hell on the mortal’s behalf just smiled.  He looked around the deserted graveyard, peering deep into the shadows, and the clerk bristled slightly – as if she hadn’t checked for witnesses herself.  Tristram smiled at her as well, and she frowned. 

              He threw off his coat with a flourish, and the younger seraph gasped, then blushed, embarrassed to find herself impressed.  He spread his golden wings to their full massive span for a moment, letting the stiff feathers rustle in the breeze.  The wings were a prop, too, really, but somewhat more important.  Tristram was among the most ancient of the seraphim of Light and had passed most of his immortal life on Earth.  But his wings were still pure gold. 

              The ground rumbled beneath them, and a crack appeared – the accuser was making his entrance.  The small black demon who would act as his clerk crawled out of the hole like an insect, dragging his chains and iron chests behind him.  But the accuser rose in one smooth motion, his dark red torso bare to the waist, his black wings folded tight against his back.  These wings could only be unfurled in hell.  He nodded his horned head to Peter, and Peter nodded back.  For Tristram, he had fanged smile.  Tristram rustled his own wings once more, smiling back before folding them.  The accuser would play the opposite to both Peter and the angel champion at the trial.  He would argue the suit of his dark master before the Judge.  And if it came to battle, he would fight.

              None of them saw the approach of the Judge.  One moment the angels and demons and Peter were alone under the mossy oaks; the next the Judge was among them.  He smiled and embraced Peter before He took His place behind the sepulcher, and the accuser and his clerk both looked away, unable to look upon His smile.  Peter’s clerk’s head was bent respectfully, but her smile was bright.  Tristram bowed as well, his own heart feeling lighter.  The Judge was an inexplicable presence to him, beyond his immortal ken.  Dressed simply as a human just like Tristram was himself, with a human’s tender flesh, He was still the most beautiful object in all of Creation, the purest perfection of spirit.

              The contested soul came wandering toward them through the mist, still dressed in the pajamas he had died in moments before a thousand miles away.  “Where am I?” he was saying to no one in particular – he hadn’t seen them yet.  “Am I dreaming?”  The accuser made a small movement as if to move into the dead mortal’s line of vision first, and Tristram frowned, leaning forward, his wings flexing in threat.  Then the soul saw the face of the Judge.  “My Lord!”  He fell to his knees in the grass, and Tristram stifled a yawn.  Just as he had suspected when he was summoned.  The trial was another waste of time.

              “Come,” Peter said kindly, raising the soul to his feet.  “Come and stand with me.”

              The trial was so familiar, Tristram barely listened.  This man had never been so bad even before his conversion.  A miser for most of his life, he had turned to the Light barely days before when most of his great wealth had been lost.  He had given what was left to a cause he had ignored for years in spite of the gnawing belief he was needed.  It was this long-ignored guilt that the accuser, predictably, chose as his best weapon.  This soul had barely pondered his conversion, he insisted; he had acted on instinct in a time of need.  So much the better, Peter argued, that his instinct should be for the Light.  Yea, perhaps, the accuser countered, but would not his gift have been more precious if he had given it when he still had so much to lose?  He had given all he had, Peter pointed out, and the Judge smiled.  The amount meant nothing, nor indeed even the gift itself.  The belief in his salvation was what must save him; this was the promise of the Word.

              “And so he is saved,” the Judge agreed.  He opened His arms, and the soul ran to Him, embracing Him the same way Peter had.  “Come,” the Judge said, hugging him tight.   “I have a place for you.”

              A wave of hatred like the breath of a furnace swept across the clearing from the accuser, turning the grass to ash.  The soul felt nothing as he walked away beside the Judge, but Tristram stepped forward anyway, spreading his wings.  The accuser took a step backward, but he smiled.  “Good night, Tristram,” he said.  “See you soon.”  He sank back into the crack he had come out of, and his clerk scrambled after him, rattling his chains.

            Tristram sighed when he was gone.  “Disappointed?”  Peter said with a smile.  “Did you want to fight?”

            “It would make a nice change.”  The angel smiled back to show he was joking, but only for a moment.  “Sometimes it all feels so pointless . . . cruel, even.”

            “Cruel to whom?” Peter asked, watching him, his warm, brown eyes amused.  “The soul suffers little fear – you see to that.  And the relief of forgiveness far outweighs it, don’t you think?”  The clerk was making a job of putting away her golden book and pretending not to listen.

            “Of course.”  The seraph shrugged back into his coat as his wings were drawn back into his body, the illusion of humanity falling over him again like dust.  “I didn’t mean the mortal.”

            “Then whom?” Peter asked.  The clerk’s blue eyes widened in shock.  She saw Tristram notice and blushed, turning quickly away.  Peter’s smile broadened.  “Oh,” he said, nodding.  “Him.”  The Judge’s Rock spared a grudging glance for the crack in the earth, a barely visible shudder of revulsion passing over him.

            “He can’t win,” Tristram said.  For thousands of mortal years, he had performed this same mission, keeping himself perfect and aloof.  He was the sword of the Word, the defender of His chosen ones in this world between worlds.  But never once had he been called upon to actually fight the fallen angel who accused them of their sins.  Most souls weren’t even contested; most passed on one way or the other without ever seeing Tristram or this cemetery grove.  “Unless a soul is lost already and given to him outright, the Word is already against him.  And the Judge will never rule against the Word.”

            “The Judge is the Word made flesh,” Peter reminded him.  “He may rule as He sees fit.”

            “But He won’t.”  After more than two thousand years watching the Judge rule on the fate of a few million souls, Tristram felt certain on this point.  Peter didn’t bother to dispute him, only smiled and shrugged, spreading his calloused brown hands.  “So the accuser is called here, over and over and over again to make his arguments, always knowing he will fail.”

            Peter mused for a moment.  “That doesn’t bother me so much,” he said, a twinkle in his eye.  “But he is not my brother.”  Tristram scowled, and Peter put a hand on his arm.  “It is only right that you should pity him,” he said.  “You are a creature of the Light.”

            “I never said I pitied him,” Tristram said, sounding defensive even to himself. 

            “Perhaps his frustration is part of his punishment,” Peter suggested.

            “Maybe so.”  Tristram thought of the earthly apartment where he waited to be called to his mission, the cold, gray concrete floors and walls of glass that looked down on an ugly mortal city.  “But is it part of mine?”

            “You are not being punished,” Peter said.  “You are most beloved of the Light, one of the greatest soldiers in Michael’s legion.  Your task is a great honor.”

            “So I’ve been told, “ Tristram said, feeling a shiver of guilt.  His charge was sacred; the will of the Light was perfection.   Who was he, even a seraph, to question it?  “But why must I be stuck here?”

            Peter laughed.  “You’re asking me?”  He clapped a hand to Tristram’s shoulder, and his clerk smiled as well, meeting Tristram’s eyes with her own.  “To tell you the truth, I’ve often wondered that myself.  Why not let you fly back off  to the lands of Light until you’re needed?”  The clerk gave Tristram another shy smile before she turned away.  “Do you want to know what I think?” Peter said.  “I think he wants you to like us.”

            “I do like you,” Tristram said.  “Why would you think–?”

            “Not me, personally,” Peter cut  him off.  “Mortals.  I believe the Light has left you to live among mortals so that you can learn to like them.”

            “I like mortals perfectly well,” Tristram protested, stung.  “I see the good in them.  I see their value to the Light.”  The accuser was the one who had hated humanity and hated the Light for loving them. 

              “Their value,” Peter repeated, shaking his head now.  “Yes, Tristram, you value humans.  You love them, just as you are charged to do.  It is in your nature.”  His eyes were shrewd.  “But I don’t believe you think about them much.”

              “What else do I have to think about?” Tristram countered with a grin, but actually, he knew Peter was right.  He had never been one to follow after human beings, intervening in their living affairs by what poor means he could.  It seemed pointless, a sentimental game.  Every act undertaken on the earthly plane sapped an angel’s strength.  To touch humanity, to walk in the footsteps of mortals, to feel human emotion – all of these things were allowed.  But they stole bits of a seraphim’s divinity, tarnished the angel’s wings.  He could live as a man if he wished, so long as he was true to his mission.  But he would feel himself less of an angel.  He was the final defender of every human being, the one who would fight Hell itself for the immortal soul of any one of them the Light might choose at his or her hour of need.  Surely his power ought to be reserved for that, not wasted helping their frail, mortal bodies get across the street.  “No,” he admitted.  “I guess I don’t think about them much.”

              “Maybe you should,” Peter said. 

              Tristram smiled.  “Good night, Peter.”

              “Good night, Tristram.”  The Judge’s Rock embraced him, and for a moment, he felt the warmth of that great heart.  “Until we meet again.”

              Snow started falling as he walked back through the cemetery, headed home.  He turned up the collar on his overcoat by habit, another little detail learned over the millennia to blend in among mortals, pretending to feel the cold.  What would it be like to not have to pretend any more?  He remembered the Realms of Light as vividly as if he had only left that moment; he knew his place was there.  He knew that someday he would return.  But it was not for him to question where the Light had need of him. 

              The rusted iron gates were in sight when he saw a figure moving toward him, swathed in black.  For a moment, he tensed, the figure’s size and swaddling making him think the accuser must have left behind an imp.  But she didn’t scuttle; she walked with purpose, fighting the icy wind.  He faded back into the shadows to watch her pass, catching a glimpse of white skin and green eyes under the brim of the black hat and over the black folds of her scarf.  She didn’t see him.

              He had already turned to walk away when it suddenly occurred to him.  What if Peter was right?  Deciding in an instant, he followed her.

              She was kneeling on the cold, bare earth of a fresh grave.  He took a position out of sight, his footfalls silent.  She had unwrapped the scarf from her face; it trailed on the ground, too long for her.  She reached into the pocket of her baggy black coat and took out a black candle in a glass holder painted with an icon of the Judge.  Tristram suppressed a smile.  If the ritual would comfort her, who was he to mock her?

              She set the candle in front of the headstone and lit it with a wooden match.  Tristram bowed his head, expecting her to pray.

              But she didn’t.  When he opened his eyes, she was taking something else from her pocket – a bottle of whiskey.  She uncapped it, drank deeply, then set it down next to the candle, wiping her mouth with the back of her gloved hand.  She took a folded letter from her other pocket and kissed it, holding it against her lips for a long time.  Then she soaked it with whiskey, spilling some on her coat in the process.  She was shaking, he realized, shaking and silently crying. 

              She lit the letter on the candle’s flame and dropped it on the ground.  Watching it burn, she did pray, her hands clasped like a child’s under her chin.  Tristram was touched; he whispered his own prayer on her behalf.  Grant her comfort, he prayed.  Show her the way.  As one of Your seraphim, I ask it. 

              When the letter was consumed, she blew out the candle and stood up.  She stamped out the last glowing ember of her little burnt offering and wrapped the scarf around her face again – it was snowing harder now.  She tucked the candle and the bottle back into her pockets and started back down the path toward the gates.

              Tristram turned away, sad for her but satisfied that he had seen and done enough.  He did feel for her, poor creature – her grief and her faith had touched him deeply.  Then a snippet of song came back to him on the wind – she was singing, her voice too soft for any other mortal to have heard her, almost tuneless, ragged but sweet. 

              “. . . . can my baby be?  The Lord took him away from me . . .”

              He turned back toward the path, but she was gone. 

              He stretched out his hand toward the headstone, summoning the scattered ashes of the letter.  They rushed back to him, their nature changing as if time were running backward, drawing back together and turning from black to white, every stroke of the closely-written text intact.  He read what she had written quickly, and every word dug into his heart.  Her pain was raw and brutal as a death wound.  He knew the greatest works of art human passion could inspire.  He had wept at the beauty of Mozart’s Requiem at its very first performance.  He had visited Michelangelo and seen his own angelic body breathed to life in stone.  But nothing had touched him the way this human’s letter did, this outpouring of love and rage.  She had lost her husband . . . but what was that to him?  Every bone in this field had once been beloved by someone, every human suffered grief.  Why should hers hurt him so?

              For two more nights, he came back to the graveyard and watched her as she repeated her ritual, and every night he read her letters after she was gone.  Each one was different, each one drawing him deeper and deeper into her shattered heart.  She meant them to be ‘therapy,’ a way to exorcise her pain, but it wasn’t working.  With every word she wrote, she seemed more desperate, more lost. 

              For the first time, Tristram felt the impulse that had struck so many others of his kind – infected, he had said before, like it was a sickness.  He felt a physical need to help this human, to comfort her, not at the hour of her death, but now, in her messy, painful, broken life.  Somehow, he knew he was supposed to help, that the Light Itself asked him to do it.

              “No accidents,” he mumbled to himself on the third night, letting the last letter crumble back to ash.  He had not found her by chance.  Fearless and resolved, he crouched over the grave.  Spreading his wings behind him like a shield, he plunged his hand into the dirt, digging, grasping, breaking through the coffin, calling what he wanted upwards through the earth until his hand closed around it. Howling once in agony, he fell on his face, his wings shuddering, shriveling, fading away.

              The imp had only come to steal baubles, the little remembrances the mortal scum would leave behind for their dead.  He watched the angel’s agony with glee, hardly believing his luck.  As soon as he was sure what had been done, he scuttled quickly toward the gateway, biting his own fist to hold back his laughter until he was safely in hell.

 

 

 end of chapter 1