Some random thoughts about the 2013 Golden Globes

Adele-Golden-Globes-006I’m an awards show junkie.  Have you ever wondered who the lunatic is who’s actually watching all that red carpet coverage on E! and actually reading the crawl at the bottom of the screen and actually knows the names of all those deeply freakish-looking fashion “experts” prattling into the camera?  Yeah, that would be me.  I make no claims of sartorial splendor for myself, but I’m fascinated by the weird wonder of the fashion universe the way some people are fascinated by Honey Boo Boo or the stock market – it’s a train wreck; I can’t look away.  My best friend and I used to plan our Golden Globes viewing for weeks in advance – others could join us if they wanted, but we were watching from the red carpet through the bitter end and work the next morning be damned.  (Watching the Golden Globes is always more fun than watching the Oscars.  Everybody says it’s the liquor they serve the audience, but I think it’s the lack of elaborate production pieces meant to entertain us and distract us from how hopelessly snotty and out of touch the nominations are.)  Since Petey moved to another state and I got married, we can’t watch together any more (which, lemme tell ya, I hate with the passion of a thousand burning suns).  But this year, Max felt secure enough in his masculinity (and happily sated enough by the dinner I’d cooked) to at least sit in the room with me while I watched.  Still, he couldn’t really appreciate the full depth of my bitchiness, so I thought I’d share a little of it with my darling kittens instead.

chastain-golden-globes-592x382Item:  Jessica Chastain can’t just fire her stylist between now and the Oscars.  She needs to have them crucified next to Sunset Boulevard, preferably within sight of the Chateau Marmont, as a warning to others lest this shit get out of hand.  She is one of the most gorgeous women on the planet with an amazing body.  Yet somehow they managed to make her look like a frump with a bald spot wearing a shower curtain.  What the hell, y’all?  She’s the frontrunner as Best Actress for freakin’ everything this year.  Yes, she played a cupcake last year in The Help (though I would submit she was one damned smart and feisty cupcake), but we totally get that she’s a serious artist playing a serious woman doing serious work in Zero Dark Thirty.  For pity’s sake, let the woman be pretty!  And if she did it to herself, somebody take a long, hard look at her meds.

Item:  Who would have thought Daniel Day Lewis would deliver the funniest line of the night?  Nice to know there’s a real sense of humor in there somewhere.

Item:  I don’t know if she’s living or dead, but wherever she is in the universe, Helena Bonham Carter’s mother saw her on the red carpet and said some English woman’s version of, ‘Oh for cryin’ out loud! As pretty as she is and as much as they pay her, she could have at least combed her hair!’  I noticed her husband, Tim Burton, had his arm in a sling.  I hope he broke it trying to wrestle that tube of blood red lipstick out of her hand.

Item:  Jennifer Lopez has apparently started drinking the same embalming fluid they gave to Evita Peron.  Happily, Nicole Kidman seems to have given it up – she looked more lifelife than I’ve seen her in years outside of a movie.

Item:  Taylor Swift can suck it.

Item:  I don’t know what “Girls” is, but it sounds like “Sex and the City” for women with tattoos.  This would not be a recommendation.

tommy-lee-jones-is-not-impressed-golden-globesItem:  Y’all, it is time to admit it.  Will Ferrell and Kristen Wiig are not funny.  They’re pitiful.  Or rather, they’re cynical, mean-spirited assholes who have made a living pretending to be pitiful to make fun of the rest of us, whom they mistakenly believe to be both pitiful and too stupid to realize they’re putting us on.  Oh wait . . . apparently some of us are that stupid.  In any case, I’m with Tommy Lee Jones.

Item:  Somebody is going to have to explain to me what the deal is with Bradley Cooper.  Everybody talks about how hot he is, but he looks like yet another cream cheese boy (to borrow a phrase from my very clever brother-in-law), the mannequin they made to replace Kevin Costner when his face finally started to move somewhere in the mid 2000s, the kind of bland-looking handsome guy who could pose for that symbol they put on the men’s room door.  (see also:  Ryan What’s His Name, the guy who supposedly says “hey girl” all the time.  What’s that all about?)

Item:  Ewan McGregor was far and away the best-looking guy in the room, but when did he turn into Obi-Wan for real?

Item:  Jodie Foster has known for weeks she was getting this award; why didn’t she write down her speech?  I couldn’t care less who she sleeps with, and I’m perfectly comfortable with that being her business, not mine.  I even sympathize tremendously with her being sick and tired of people telling her she needs to come out for the sake of a community of strangers.  But honey bunny, if you don’t want to share, just don’t.  Don’t talk about it.  Don’t make excuses.  And if you’re really pissed off enough to deliver some kind of scathing manifesto, make sure the bitches you’re telling off can understand what the heck you’re talking about.

 

Item:  Mel Gibson looks more and more like ‘Mel Gibson’ on Southpark every day he lives.  Bless his heart, he could haunt a house.

Item:  Nobody cares who you forgot to thank in your speech, especially whoever it is you’re stomping over to get to the microphone to fit it in.  Send them a nice note tomorrow.  (And having your wife do it for you is a little bit cuter but still rude as hell.)

Item:  Ben Affleck is apparently smarter than his hair.

Item:  Anne Hathaway is gorgeous and gifted and deserves every accolade she gets.  To play two such different characters – Fantine and Catwoman – so exquisitely in the same year is nothing short of phenomenal.  So somebody needs to find that voodoo doll that Sally Field probably  has hidden in her underwear drawer and de-magic it.  Just remember, Sally, if you won this year, everybody would say it was because you’re an old lady who won’t be around much longer, and that’s ridiculous.

Item:  Russell Crowe was GREAT in Les Miserables.

Item:  Hugh Jackman’s wife is every bit as adorable as he is, so y’all jealous bitches need to just hush.

Item: [borrowed from my sister] When did Bill  Murray sign the Santa Clause?

Item:  Tina Fey can look more like Johnny Depp than she can Sarah Palin, which ought to be a tremendous comfort.

Item:  Ricky Gervais never felt the need to make a joke about how he was almost too fat to fit into his suit.  Shame, ladies, shame shame shame.

Item:  Whoever custom designed Julianne Moore’s dress does not wish good things for her and needs to be punished.  Did nobody hold up a mirror and show her how it looked from the back?

Item:  Jennifer Lawrence’s comment about Harvey Weinstein made me like her a lot.

Item:  That Dodge Dart II thing looks like a pretty cool car.

 

Some end of the year housecleaning

tenderbitescoverHey kittens, guess what?  We survived the end of the world!  And with any luck, we’ll survive the end of 2012 altogether.  Just a few things before we do . . . .

First of all, thanks again SO MUCH to everybody who entered our Ho-Ho-Holiday Giveaway.  (Check out the text box to the right if you still don’t know who won.)  We had such a blast putting it together and such a good response, we’re already planning the sequel.  (Watch this space!)

Secondly, if you want to read my free-here-on-the-blog Christmas story, “Kissing Noel,” but you haven’t gotten around to it yet, hie thee hence, my darlings.  Come January 2, 2013, it’s gone . . . for-EV-AAAAAHHHHH.  Well, okay, gone until I put together another anthology at some point, but right now it’s free.  (Kindle & Nook & iPad lovers, if you really really really need a pdf, drop me a line at lucybluecastle@gmail.com before New Year’s Day, and I’ll see if I can hook you up.)

And finally, my vampire romance anthology, Tender Bites, is still very much available from Amazon for the shockingly low price of $2.49 – if you know somebody who got a Kindle for Christmas, my vamps will be more than happy to help them warm it up.

And unless there’s something somebody else wants to talk about, I think that’s it.  Thanks so much for reading this year; you guys know you all rock out.  I can’t wait to see what’s coming up for all of us in 2013!

Something easy to cook for dinner this week – Mama’s Chili

In my continuing effort to prove that I love to eat about as much as I love to write, here’s my family recipe for chili.  I won’t ever be entering this in any Texas cook-offs; I’m sure “authentic” chili cooks will read it and faint with horror.  But it’s hot; it tastes good; it’s filling; and it’s damned easy to make, particularly on cold December nights when you’ve got way too much else to do.  You can put this together, walk away, wrap presents, have a bowl when you’re ready and leave the rest simmering for the rest of the household to grab whenever they show up.  One batch will feed at least six people.  It also keeps very well in the refrigerator and makes a great lunch the next day.

My version is adapted from my mom’s version which she adapted from her dad’s version.  (His was legendary and involved little cut-up hot dogs – we’re not talking haute cuisine here.)  My sister, Sarah, and her husband, Derek, have refined their own version that is much more sophisticated; if they invite you over to eat, by all means, go.  Just don’t look for any beans.

Ingredients:

2 pounds ground beef

2 tablespoons dried minced onion

3 cans light red kidney beans, neither drained nor rinsed (12 ounces, maybe? the ‘normal’ sized cans, not the great big ones)

4 cans tomato sauce (8 ounces, I think – the small cans)

4 tomato sauce cans water

1 generous teaspoon chili powder

1/2 teaspoon cumin (if you have it – don’t buy it special for this; it tastes fine without it)

1 tablespoon mustard (like you’d put on a hot dog, not dried)

3 drops Texas Pete hot sauce (do buy this special – other hot sauce might work; I just don’t know how to measure it)

Sour cream, saltine crackers, pepper jack or sharp chedder cheese, all optional condiments

Start at least an hour before you plan to eat.  Brown the ground beef with the minced onion in a large, heavy pot, drain the fat, return to pot.  Add beans, tomato sauce, water, chili powder, cumin, mustard, and Texas Pete, stir until well combined.  Bring to a boil on high heat, then reduce heat to low and simmer for at least an hour, stirring occasionally.

My favorite way to eat this is to cut pepper jack cheese in 1/2 inch cubes, put a handful in the bottom of a deep bowl, cover with chili, garnish with a dollop of sour cream.  Some of my family just add crushed saltine crackers.  My husband, who had never had chili before he married me, likes both cheese and crackers.

The Teacher

This is a very short story that I will never try to sell.  Since Friday, I’ve been in a sad, shocked daze like everybody else.  Last night I couldn’t sleep; I couldn’t stop thinking about what had happened.  I kept praying (’cause that’s what I do), asking how this could have happened, what possible great, higher purpose could it serve?  I wish I could say I got a nice, concrete answer suitable for a bumper sticker or a Twitter post, but I didn’t.  What I got was this.  I woke up this morning with this story in my head, just as you see it here.  I’ve always rolled my eyes at writers who talk about their muses pushing them one direction or another or stories that just appear to them in the night, so if your eyes are rolling now, I totally get it.  Honestly, I’m not even sure my writing and posting this isn’t offensive.  I certainly don’t pretend to know what was happening inside anybody’s head last Friday in Connecticut or to understand even the tiniest fraction of what the family and friends of the victims are going through now.  But the act of writing this has made me feel better, so maybe reading it will help somebody else.

* * * * * *

The Teacher

The gunshots were loud, close, coming closer.  Later some of her friends who lived would be saying it had all happened so fast.  But she knew she wouldn’t be with them.

The lights were out, and the door was ajar, so from the hallway the classroom would look empty.  The children were huddled in a ring around her at the back of the room on the Story Carpet.  “Quiet,” she had whispered to them, forcing herself to sound calm, to even smile a little.  “We have to be perfectly quiet.”  They were trying so hard to obey, holding hands with one another, two of them holding her hands.

Please God, she prayed inside her head.  My babies . . . please, God, please please please please please please please . . . .

She felt hands folded over her hands.  She opened her eyes and found him crouched on the Story Carpet with them, an angel.  He was beautiful, and he was smiling, but his eyes were sad.  His wings, translucent in the dim light from the windows, spread and curved around their circle, holding the children as his hands held hers.

I was sent to be with you.  She heard his voice inside her head, and in an instant, she felt calmer.  You don’t have to talk; I can hear you.

She was still terrified.  More gunshots rang out, coming from next door.  Can you save them? she asked inside her head though she already knew the answer.  Can you take them away from here?  A tear slid down the angel’s cheek, confirming what she knew.  She thought for a moment about her husband and her family and her best friend and all the ones she loved so much, and for that moment, she thought she would shatter.  But the angel held her hands and looked into her eyes, and after that one moment, she could stand it.

Can the children see you? she asked.

They can feel me, he answered.  She knew it was true.  She could feel some of the tension going out of them, some of their fear melting away.  The ones holding her hands inside the angel’s hands looked almost dreamy, sleepy-eyed and smiling.  But they don’t need to see me, the angel said.  They see you.

A moment later, the door slammed open–screaming, a terrible  noise.  She had just enough time to stand and turn, arms outspread, to think, no, you can’t have them, you bastard!  And all the time the angel was behind her, hands on her shoulders, holding her tight.  A single, terrible moment of pain ripping through her, screams of the children . . . .

Then she was walking in an open field, green and lush, gentle sunshine all around, a playground from a fairy tale.  The children were running around her like running out to recess, laughing, shouting, perfect in their joy.  She looked to one side and saw the teacher from next door.  She was holding hands with one of her students, a boy who had been in a wheelchair, barely able to speak.  Now he was walking beside her, tall and strong.  And everyone was smiling.

The angel was walking beside her.  “What will happen to them now?” she asked him right out loud, all thought of fear forgotten.

“They’ll decide.”  Peple were coming toward them, calling out greetings.  The children knew them; they were running toward them, arms outstretched, being scooped up and hugged close.  “Some of them might stay here, but most of them will probably choose to go back and start over.  They were all so young.”

“Miss, look!”  A little boy from her class had stopped and was dancing in front of her, pointing.  “It’s my pawpaw!”  An old man dressed in camoflage with a bright orange hat on his head was coming toward them.  Suddenly the little boy was dressed just the same, and he ran to his grandfather’s arms.

“What about you, Teacher?” the angel asked.  A woman had appeared on the crest of the hill just ahead of her, and her heart skipped a beat with joy.  “Will you go back?”

“I don’t know.”  She had an idea that beyond these hills, this place was even more beautiful, not a place of clouds and golden harps but of peace and laughter and love.  But the place she’d left behind had been beautiful, too, with so much love her heart ached remembering it.

She turrned to the angel.  “If I go back, will I remember this?”

“No,” he said, smiling.  All of the sadness was gone from his eyes.  Here, he had no wings she could see.  He looked just like everybody else.  “You’ll start fresh, a w hole new life.”  He took her hand.  “But I will remember you.”

 

the end

 

If one is good . . . .

HolidayGiveaway . . . then five must be better, right?  Specifically five naughty romance writers banded together to make your season bright.  Me, Alexandra Christian, Crymsyn Hart, Selah Janel, and Siobhan Kinkade have gotten the Christmas spirit and put together a happy little holiday gift box to give away to one of our darling readers.  From December 2 to December 21, enter to win a USB Flash Drive full of sexy read-y goodness:

Under the Mistletoe by Siobhan Kinkade

Marked by Siobhan Kinkade

Jingle Balls by Crymsyn Hart

Hairy and Hung by Crymsyn Hart 

Masquerade by Alexandra Christian

Second Skin by Alexandra Christian

In the Red by Selah Janel

And of course my own Tender Bites.  Light or dark, beastie hot or vampire cool, there’s something here for every holiday craving.  Plus, knowing us, I suspect there’ll be a couple of surprises tucked in the corners, just to be festive.  Second prize will be a $10 digital Amazon gift certificate, and third prize will be a $5 digital Amazon gift certificate.

Check out the full details and enter to win here at the widget on Crymsyn Hart’s blog.  And feel free to ask me anything in the comments below.  xoxoxo Lucy 

Turkey & Rice Casserole

Ah, the glorious traditions of the holidays . . . . friends, family, food, fun . . . f*cking off from writing the blog.  I’ve had a lovely time over the past week being a domestic goddess, but I’ve missed being a writer girl.  I’m trying to get back into actually writing fiction at the moment just so my brain doesn’t explode and I don’t start talking to the furniture, but I thought I could at least pop in here and share a recipe.  I made this last night with the final succulent remains of our Thanksgiving turkey, and it was quite yummy.  And it made great leftovers for lunch today, too – two minutes in the microwave.

Turkey & Rice Casserole

Leftover turkey, white and dark meat, cut into small bite-sized pieces – at least 1 cup

2 cans of cream of mushroom soup

1 can of chicken broth

1 can of dry white rice

1.5 to 2 cans of water

1 tablespoon of poultry seasoning

2 tablespoons of dried minced onion

Salt and pepper to taste

1 to 2 tablespoons of butter

 

Preheat oven to 350 degrees.  Spray an oblong casserole dish with cooking spray or grease with butter.

Whisk together the cream of mushroom soup, the chicken broth, and 1 can of water with poultry seasoning, salt and pepper, and dried minced onion in a large saucepan.  Bring to a boil over high heat.  Stir in the rice and reduce heat to medium low.  Simmer, stirring often, until rice is translucent and beginning to soften – about twenty minutes – adding extra water as needed.  Remove from heat, stir in turkey.

Spread rice and turkey mixture in casserole dish, spread butter in small dabs over the top.  Cover with foil and bake for 15 minutes.  Remove foil and bake for 15 minutes more or until casserole starts to brown at the edges and rice looks fluffy.

Makes 4-6 generous entrée servings.

The more turkey you have, the better this is.  Also, you can sprinkle stuffing mix (just the seasoned bread crumbs, not instant stuffing) over the rice and under the butter if you like a crunchy topping.   By the way, this also works with chicken, including those rotisserie fowl you can get at the grocery store.  But personally,  I like turkey best.

The Books That Taught Me How to Write Sex

One of the most fun compliments I get from readers is, “Your sex scenes are so hot!”  Or “romantic,” or “steamy,” or whatever.  I’m sure Shakespeare used to love hearing the same thing, and I understand Jonathan Franzen freakin’ LIVES for it. 

Seriously, I love hearing that a love scene that I wrote worked for a reader.  I know that’s one of the big reasons I love reading romance.  Friends of ours dearly love teasing Max and me about the “research” I must be doing at home, and I happily admit that being in a happy, healthy relationship with the hub-unit helps a lot when getting inspired to write the big hoopty sex for my characters.  But strangely enough, in the moment, I don’t really think that much about how to translate the experience into fictionalized text. 

Thankfully, I’ve been training to write about sex a lot longer than I’ve been having it, by reading romance. 

My first sneaky forays into steamy literature were stolen from my mom and my aunts – paperbacks left unattended at the beach house or next to the bathtub or on the bottom shelf of the coffee table in my grandmother’s living room.  About the time I was entering puberty and wondering when my own bodice might invite a little ripping, all the women in the family, like most female readers in the world, went crazy for the hot romances of people like Rosemary Rogers and Kathleen Woodiwiss.  My cousin and best friend and I managed to get our sweaty little hands on all of these sagas of boy meets girl, boy rapes girl but she likes it, boy loses girl to hideous villain, boy kills everybody in his way to rescue girl, boy and girl get married, and I devoured them with swoony delight.  But I never really wanted to keep and reread one forever until I found Woodiwiss’ The Wolf and the Dove

Notice, please, the dark knight on the cover.  My two favorite “real” books at that time were The Once and Future King by T.H. White and Wuthering Heights by Emily Bronte.  So you can imagine my delight at finding a sex-soaked, no-holds-barred story about a spirited brat being tamed with orgasms by a conquering Norman with a big black horse and a bad attitude.  The sexual politics are just appalling; I read it now and cringe.  But I won’t even try to deny that the subject matter and the way it was written had a profound influence on my reading and my writing right up to today. 

By my mid-teens, I knew that I wanted to be a writer and that I wanted to major in English literature in college.  I had gone to the Governor’s School for the Arts; I had learned to pretend to like John Fowles.  I still read romance, but I couldn’t throw myself into it as wholeheartedly as I had before.  I was old enough to know a rape when I read one, no matter how prettily the victim swooned.  And the books had started to repeat themselves, at least for me – it had started to feel like the same story over and over again with different costumes.  The only romance writer I read consistently during that period was Bertrice Small, and quite frankly, I read her like porn.  If you want a neat encapsulation of what the bodice ripper became near the end of its heydey, I direct you to The Kadin.   

Like most of Small’s novels, The Kadin concerns a lovely young Englishwoman who at some point is kidnapped and sold into slavery in a foreign land where she becomes absolute ruler of all she surveys just by being so freakin’ awesome in the sack.  It wasn’t a new book when I read it, and it hasn’t aged particularly well for me since - the sex scenes that seemed so detailed and shocking the first time I read them seem rushed and almost quaint to me now.  Basically in a Small book, lovers do an awful lot of crazy stuff, but they don’t do any of it for very long.  But I have to admit, there’s an awful lot of purely mechanical stuff that I might never have picked up if I hadn’t picked up Bertrice Small.  I think my husband at least owes her a nice note.  And one great thing about her heroines – they weren’t prissy.  They weren’t ashamed – in fact, the over-arching plotline of each book is a woman learning to own her sexuality.  Granted, she does it while being kept a captive slave, but hey, the BDSM community would probably tell me “well, duh.” 

But I found another book in paperback at about that same time that I found just as sexy and whole bunch more empowering – Fanny by Erica Jong. 

Jong was already famous for her first blockbuster, Fear of Flying, a contemporary novel that defined the “zipless fuck” and a woman’s right to have one.  (Yes, kittens, it’s true – feminism actually used to be considered sexy.)  Fanny is actually an expansion of her MFA thesis, a historical novel written in the style of its period but from the point of view of a female protagonist – a girl’s own Tom Jones.  I had never read Tom Jones (or Fear of Flying, for that matter), and I hadn’t much liked Moll Flanders or Fanny Hill.  But I fell completely in love with this book, not as an exercise in literary style or a feminist tract but as a romance.  The central love story between Fanny, the hot girl who longs more than anything to write, and Lancelot Jones, the bisexual highwayman who loves her, is insane, hilarious, completely over the top – and hit home with me in a way none of my mom’s romances ever had.  A whole lot of people loathe this book, but I still absolutely love it and highly recommend it.  The freedom of it, the confidence of the heroine, the way sex and sexual connection mean everything in the story without ever turning it sappy - all of these things influenced me hugely as a writer and hopefully come through in the romances I write.

In college, my pleasure reading habits wandered away from romance and more into gothic horror–I would blame my college boyfriend, but heaven knows, he’s suffered enough.   Anne Rice became my new favorite contemporary author.  But I found myself poring through all those sad, sad tales of fangy boys in love with one another wishing for a girl vamp who was even half as sexy – Claudia the perpetual five-year-old just didn’t do it for me as a relatable heroine.  (My all-time favorite Rice novel so far is still The Witching Hour, which is quite sexy but hardly a romance.)  In due course, I discovered the Sleeping Beauty Trilogy, and I did love it, and the style and bravery of it did inspire me a lot and make me braver when I started writing my own erotic scenes.  But as with Bertrice Small’s books, the relationships felt like nothing more important than a framework to connect the sex scenes – nothing in the world wrong with that, but it’s not what I write. 

But because I liked the Beauty books so much, a friend recommended another “Anne Rampling” novel – Belinda. 

By today’s standards, Belinda is a sicko book.  The heroine is a sixteen-year-old girl; the hero is an admitted pedophile.  If I found out any girl that age I knew was having this kind of relationship with a man in his thirties, I’d call the cops, I don’t care how much they said they loved one another or how beautiful his paintings of her were.  But for all its queasy perversion, Belinda is a romance.  It’s not Lolita, a character study of a broken psyche and the baby slut who exploits it.  It’s not porn; the love relationship is everything, and the sex, hot and weird as it is, is fully an expression of that love.  Rice applied all her considerable gifts as a stylist and storyteller to making the reader fall in love with these people, and for me at least, it totally worked.  I got caught up in it against my better judgment the same way I had once lost myself in The Wolf and the  Dove.  It moved me; it turned me on; it made me feel better about my own instincts as a writer.  I knew I wanted to write romance, in spite of everything my professors could do to shame me out of it.  Books like Fanny and Belinda showed me that romance didn’t have to follow a set pattern, didn’t have to always be pretty, didn’t have to be sappy or sentimental.  I could write my own special kind of romance, and I could make them as hot as I wanted. 

Two unpublished novels, one collaboration, six full-length historical paranormals, and one collection of sexy vampire short stories later, I still believe it.  Since I stopped fighting my instinct for romance, I’ve found so many other writers who have found their own ways to break the mold within the genre – I defy anybody to find a writer who understands the dynamics between real men and women in love better than Julie Garwood, whether she’s writing my beloved medievals or her newer contemporary books, and her sex scenes have always been hotter than hell.  Indie publishing is overflowing these days with swoon-worthy romances for every taste and proclivity–even now, you don’t have to love regencies to read romance.  If you want to make a living, it helps if you write them, but that’s a whole other blog post . . . .

The point is, if you want to write good sex, having it is great, but reading it is better.  I’m still constantly on the lookout for a good romantic smut book (paging Alexandra Christian), but these are where I started. 

 

VOTE, KITTENS, VOTE!

If you’re a registered voter in the U.S., today is the day.  Get up, put your shoes on, and go vote.  Stop off on your lunch hour and go vote.  Take an umbrella, take your Kindle (I know a great book you can read in line) , take your iPad and play Angry Birds, but get out there and vote.  I know the lines are long; I know it’s a pain in the ass.  I know it feels like it really doesn’t matter.  But you know why it feels that way?  Because for decades, we’ve been letting less than 10% of the people who could be voting make decisions for all of us.  If somebody told you that 10% of the PTA or 10% of the church congregation or 10% of the people who watch Dancing With the Stars were making all the decisions for those things, you’d be pissed off, right?  You’d show up; you’d picket; you’d keep dialing all night if you had to.  The things that matter to us are worth the time and effort.  And right now, more than ever, who runs our government matters to all of us, whether we like it or not. 

I don’t care who you vote for or why - I really, really don’t.  (If you care who I voted for, I’ll be glad to tell you, just email me at lucybluecastle@gmail.com .)  What’s important is that when the votes are counted, everybody who could have had a say has had it, that we’ve all at least tried to make our voices heard.  That’s the only way to know if the candidates we’ve picked are really our candidates.  That’s the only way to keep having a government by the people for the people.  Because I don’t know about y’all, but I’m sick to death of having a government by the government for the government.  Let’s all remind them that they work for us.

Tender Bites Contest Running All Month Long

Don’t forget, kittens, I’m doing a contest!  The rules are simple – review Tender Bites somewhere on the interwebs, email me the link at lucybluecastle@gmail.com, and you’re entered to win.  At the end of the contest I will literally put everybody’s email address into a literal hat and draw out a winner.  And the winner will get autographed paperback copies of all three books in the Bound in Darkness medieval vampire romance series, written, obviously, by me.  (To get a peek at what those are exactly, click this link:  http://lucybluecastle.wordpress.com/bound-in-darkness/)

The Details:

1 – Reviews do NOT need to be positive to be considered contest entries.  One review = one entry, regardless. 

2 – If you do more than one review or post your one review more than one place, send me each link separately – every link counts as its own review and its own entry in the contest. 

3 – You don’t have to buy your own copy of the e-book to review it – how would I even know?- but I do insist that you actually read it.  If it’s obvious from your review that you haven’t read it yet, that you’re reviewing the promo materials or me as a writer in general or life its own self, I won’t enter it, and you can’t make me.  I can’t imagine anybody doing that, but gurus tell me that stuff I can’t imagine happens online every day of the week, so I figured I’d just mention it.

4- The contest is open as of right now, and closes at midnight on December 1, 2012.  I’ll do the drawing later that day and post the results here.  Obviously make sure I have a good email address for you with your entry so I can email you if you win. 

And that’s it.  Or at least I think that’s it – if you have any questions or I’ve left anything out, tell me so in the comments so I can address it.  Thanks, kittens!  Tell me what you think!

AHS: Asylum – Thanks, but no thanks

SLIGHT SPOILERS FOR THE VERY FIRST EPISODE OF SEASON TWO.

Last year, I was an avid, obsessive, totally addicted viewer of FX Network’s erotic horror series, American Horror Story.  Even when I hated it, I loved it.  So this year, even though I’ve been booked solid with writing commitments and family commitments and day job commitments and everything else, I had no doubt whatsoever that I would watch Season Two:  Asylum, just as voraciously.  Even when my baby sister who knows me well warned me after the first episode that it dealt with one of my least-loved horror tropes, the evil insane asylum, I was keen to watch and downloaded the first two episodes from the PlayStation Network.

So yesterday, after we finished hanging the ceremonial bat lights and spider webs on the front porch in prep for trick or treat, Max and Sister Lex and I sat down to watch the first two episodes.  I made it about halfway through episode 1 before I said, and I quote, “Turn that shit off my TV!”

Please understand, I am not offended at all by the sexual content or the manipulation of religious symbology; I’m not bored by the 1964 settting; and I believe any storyline that results in the maiming and possible death by bleeding of Adam Levine can only be a blessing.  I would also sign any petition to have Jessica Lange declared a national treasure.  But y’all . . . aliens?  Unanethesized surgery?  It’s like Hostel raped the X-Files, and it gave birth to One Flew Over the Cuckoo’s Nest, which was immediately strangled by Agnes of God

Which may be the point.  The first season of AHS was just as much a mash-up of true crime mythology and pop horror, and it may well be that I liked it better because I liked the component parts better.  Lex is right; I have a real and very personal twitch about horror stories set in mental hospitals (don’t even get me started about the 1999 remake of The House on Haunted Hill).  And I absolutely loathe the entire “torture porn” genre, which is obviously a powerful influence and component in this story.  (The opening sequence with Levine, for example, could have been lifted straight out of a new installment of Saw or any of its imitators.)  But Season 1 just seemed to have so much more story.  Yes, there were pure shocks – who had ever seen a gimp suit on non-pay cable before?  But everything seemed slotted into the central drama of this seemingly-gorgeous American family held together with lies and delusion, and the setting, Murder House, felt like the perfect, even inevitable vessel for that drama.  Season 2 may well gel beautifully at some point, and I freely admit I haven’t seen enough to judge it as a narrative whole.  But what I have seen felt more like four or five separate SHOCKING!!!! vignettes, all shot and edited like slasher flicks, with only the most tenuous connection to one another than it did any kind of cohesive story that could carry on through an entire TV season.  And the connections to the asylum itself seemed just as tenuous.  Season 1 was like an infuriatingly clever and jaw-droppingly sexy postmodern, post-deconstruction take on The Haunting of Hill House.  What I’ve seen of Season 2 felt like a sick stoner’s staged reading of an old issue of the Weekly World News

Which again might well be the point.

Again, I’m only speaking for myself here; a lot of smart people I know are absolutely enthralled so far, Lex included.  But I’m really disappointed, and I’m cutting my losses early.  Like I told Lex yesterday, I don’t get why the new season has to be so completely different, why we needed a whole new setting and a whole new genre of paranormal – aliens instead of ghosts.  Like I told her, in the second season of Friends, they didn’t celebrate their success by recasting with six ugly people who hate one another and hang out in an alley smoking crack.  And yes, I totally get that AHS is NOT Friends, nor should it be.  But it ought to at least be fun to watch, and for me, this season, it just isn’t.

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